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Brown girl dreaming
OverDrive Inc.  Ebook
2014
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In vivid poems that reflect the joy of finding her voice through writing stories, an award-winning author shares what it was like to grow up in the 1960s and 1970s in both the North and the South. - (Baker & Taylor)

"Jacqueline Woodson, one of today's finest writers, tells the moving story of her childhood in mesmerizing verse. Raised in South Carolina and New York, Woodson always felt halfway home in each place. In vivid poems, she shares what it was like to grow up as an African American in the 1960s and 1970s, living with the remnants of Jim Crow and her growing awareness of the Civil Rights movement. Touching and powerful, each poem is both accessible and emotionally charged, each line a glimpse into a child's soul as she searches for her place in the world. Woodson's eloquent poetry also reflects the joy of finding her voice through writing stories, despite the fact that she struggled with reading as a child. Her love of stories inspired her and stayed with her, creating the first sparks of the gifted writer she was to become. Praise for Jacqueline Woodson: Ms. Woodson writes with a sure understanding of the thoughts of young people, offering a poetic, eloquent narrative that is not simply a story. but a mature exploration of grown-up issues and self-discovery."-The New York Times Book Review"-- - (Baker & Taylor)

A New York Times Bestseller and National Book Award Winner

Jacqueline Woodson, the acclaimed author of
Red at the Bone, tells the moving story of her childhood in mesmerizing verse.
 
Raised in South Carolina and New York, Woodson always felt halfway home in each place. In vivid poems, she shares what it was like to grow up as an African American in the 1960s and 1970s, living with the remnants of Jim Crow and her growing awareness of the Civil Rights movement. Touching and powerful, each poem is both accessible and emotionally charged, each line a glimpse into a child’s soul as she searches for her place in the world. Woodson’s eloquent poetry also reflects the joy of finding her voice through writing stories, despite the fact that she struggled with reading as a child. Her love of stories inspired her and stayed with her, creating the first sparks of the gifted writer she was to become.
 
A National Book Award Winner
A Newbery Honor Book

A Coretta Scott King Award Winner

Praise for Jacqueline Woodson:
Ms. Woodson writes with a sure understanding of the thoughts of young people, offering a poetic, eloquent narrative that is not simply a story . . . but a mature exploration of grown-up issues and self-discovery.”—The New York Times Book Review

- (Penguin Putnam)

Author Biography

Jacqueline Woodson (www.jacquelinewoodson.com) is the recipient of a 2023 Guggenheim Foundation Fellowship, a 2020 MacArthur Fellowship, the 2020 Hans Christian Andersen Award, the 2018 Astrid Lindgren Memorial Award, and the 2018 Children’s Literature Legacy Award. She was the 2018–2019 National Ambassador for Young People’s Literature, and in 2015, she was named the Young People’s Poet Laureate by the Poetry Foundation. She received the 2014 National Book Award for her New York Times bestselling memoir Brown Girl Dreaming, which was also a recipient of the Coretta Scott King Award, a Newbery Honor, the NAACP Image Award, and a Sibert Honor. She wrote the adult books Red at the Bone, a New York Times bestseller, and Another Brooklyn, a 2016 National Book Award finalist. Born in Columbus, Ohio, Jacqueline grew up in Greenville, South Carolina, and Brooklyn, New York, and graduated from college with a B.A. in English. She is the author of dozens of award-winning books for young adults, middle graders, and children; among her many accolades, she is a four-time Newbery Honor winner, a four-time National Book Award finalist, and a three-time Coretta Scott King Award winner. Her books include Coretta Scott King Award winner Before the Ever After; New York Times bestsellers The Day You Begin and Harbor Me; The Other Side, Each Kindness, Caldecott Honor book Coming On Home Soon; Newbery Honor winners Feathers, Show Way, and After Tupac and D Foster; and Miracle's Boys, which received the LA Times Book Prize and the Coretta Scott King Award. Jacqueline is also a recipient of the Margaret A. Edwards Award for lifetime achievement for her contributions to young adult literature and a two-time winner of the Jane Addams Children's Book Award. She lives with her family in Brooklyn, New York. - (Penguin Putnam)

First Chapter or Excerpt
february 12, 1963

I am born on a Tuesday at the University Hospital
Columbus, Ohio
USA—
a country caught

between Black and White.

I am born not long from the time
or far from the place
where
my great, great grandparents
worked the deep rich land
unfree
dawn till dusk
unpaid
drank cool water from scooped out gourds
looked up and followed
the sky’s mirrored constellation
to freedom.

I am born as the south explodes,
too many people too many years
enslaved then emancipated
but not free, the people
who look like me
keep fighting
and marching
and getting killed
so that today—
February 12, 1963
and every day from this moment on,
brown children, like me, can grow up
free. Can grow up
learning and voting and walking and riding
wherever we want.

I am born in Ohio but
the stories of South Carolina already run
like rivers
through my veins.



second daughter’s second day on earth
 
My birth certificate says: Female Negro
Mother: Mary Anne Irby, 22, Negro
Father: Jack Austin Woodson, 25, Negro
 
In Birmingham, Alabama, Martin Luther King Jr.
is planning a march on Washington, where
John F. Kennedy is president.
In Harlem, Malcolm X is standing on a soapbox
talking about a revolution.
 
Outside the window of University Hospital,
snow is slowly falling. So much already
covers this vast Ohio ground.
 
In Montgomery, only seven years have passed
since Rosa Parks refused
to give up
her seat on a city bus.
 
I am born brown-skinned, black-haired
and wide-eyed.
I am born Negro here and Colored there
 
and somewhere else,
the Freedom Singers have linked arms,
their protests rising into song:
Deep in my heart, I do believe
that we shall overcome someday.
 
and somewhere else, James Baldwin
is writing about injustice, each novel,
each essay, changing the world.
 
I do not yet know who I’ll be
what I’ll say
how I’ll say it . . .
 
Not even three years have passed since a brown girl
named Ruby Bridges
walked into an all-white school.
Armed guards surrounded her while hundreds
of white people spat and called her names.
 
She was six years old.
 
I do not know if I’ll be strong like Ruby.
I do not know what the world will look like
when I am finally able to walk, speak, write . . .
Another Buckeye!
the nurse says to my mother.
Already, I am being named for this place.
Ohio. The Buckeye State.
My fingers curl into fists, automatically
This is the way, my mother said,
of every baby’s hand.
I do not know if these hands will become
Malcolm’s—raised and fisted
or Martin’s—open and asking
or James’s—curled around a pen.
I do not know if these hands will be
Rosa’s
or Ruby’s
gently gloved
and fiercely folded
calmly in a lap,
on a desk,
around a book,
ready
to change the world . . .
 
 
 
it’ll be scary sometimes
 
My great-great-grandfather on my father’s side
was born free in Ohio,
 
1832.
 
Built his home and farmed his land,
then dug for coal when the farming
wasn’t enough. Fought hard
in the war. His name in stone now
on the Civil War Memorial:
 
William J. Woodson
United States Colored Troops,
Union, Company B 5th Regt.
 
A long time dead but living still
among the other soldiers
on that monument in Washington, D.C.
 
His son was sent to Nelsonville
lived with an aunt
 
William Woodson
the only brown boy in an all-white school.
 
You’ll face this in your life someday,
my mother will tell us
over and over again.
A moment when you walk into a room and
 
no one there is like you.
 
It’ll be scary sometimes. But think of William Woodson
and you’ll be all right.
 
 
 
the beginning
 
I cannot write a word yet but at three,
I now know the letter J
love the way it curves into a hook
that I carefully top with a straight hat
the way my sister has taught me to do. Love
the sound of the letter and the promise
that one day this will be connected to a full name,
 
my own
 
that I will be able to write
 
by myself.
 
Without my sister’s hand over mine,
making it do what I cannot yet do.
 
How amazing these words are that slowly come to me.
How wonderfully on and on they go.
 
Will the words end, I ask
whenever I remember to.
 
Nope, my sister says, all of five years old now,
and promising me
 
infinity.
 
 
 
hair night
 
Saturday night smells of biscuits and burning hair.
Supper done and my grandmother has transformed
the kitchen into a beauty shop. Laid across the table
is the hot comb, Dixie Peach hair grease,
horsehair brush, parting stick
and one girl at a time.
Jackie first, my sister says,
our freshly washed hair damp
and spiraling over toweled shoulders
and pale cotton nightgowns.
She opens her book to the marked page,
curls up in a chair pulled close
to the wood-burning stove, bowl of peanuts in her lap.
The words
in her books are so small, I have to squint
to see the letters. Hans Brinker or The Silver Skates.
The House at Pooh Corner. Swiss Family Robinson.
Thick books
dog-eared from the handing down from neighbor
to neighbor. My sister handles them gently,
marks the pages with torn brown pieces
of paper bag, wipes her hands before going
beyond the hardbound covers.
Read to me, I say, my eyes and scalp already stinging
from the tug of the brush through my hair.
And while my grandmother sets the hot comb
on the flame, heats it just enough to pull
my tight curls straighter, my sister’s voice
wafts over the kitchen,
past the smell of hair and oil and flame, settles
like a hand on my shoulder and holds me there.
I want silver skates like Hans’s, a place
on a desert island. I have never seen the ocean
but this, too, I can imagine—blue water pouring
over red dirt.
As my sister reads, the pictures begin forming
as though someone has turned on a television,
lowered the sound,
pulled it up close.
Grainy black-and-white pictures come slowly at me
Deep. Infinite. Remembered
 
On a bright December morning long ago . . .
 
My sister’s clear soft voice opens up the world to me.
I lean in
so hungry for it.
 
Hold still now, my grandmother warns.
So I sit on my hands to keep my mind
off my hurting head, and my whole body still.
But the rest of me is already leaving,
the rest of me is already gone.
 
 
 
the butterfly poems
 
No one believes me when I tell them
I am writing a book about butterflies,
even though they see me with the Childcraft encyclopedia
heavy on my lap opened to the pages where
the monarch, painted lady, giant swallowtail and
queen butterflies live. Even one called a buckeye.
 
When I write the first words
Wings of a butterfly whisper . . .
 
no one believes a whole book could ever come
from something as simple as
butterflies that don’t even, my brother says,
live that long.
 
But on paper, things can live forever.
On paper, a butterfly
never dies.

Large Cover Image
Trade Reviews

Booklist Reviews

*Starred Review* What is this book about? In an appended author's note, Woodson says it best: "my past, my people, my memories, my story." The resulting memoir in verse is a marvel, as it turns deeply felt remembrances of Woodson's preadolescent life into art, through memories of her homes in Ohio, South Carolina, and, finally, New York City, and of her friends and family. Small things—ice cream from the candy store, her grandfather's garden, fireflies in jelly jars—become large as she recalls them and translates them into words. She gives context to her life as she writes about racial discrimination, the civil rights movement, and, later, Black Power. But her focus is always on her family. Her earliest years are spent in Ohio, but after her parents separate, her mother moves her children to South Carolina to live with Woodson's beloved grandparents, and then to New York City, a place, Woodson recalls, "of gray rock, cold and treeless as a bad dream." But in time it, too, becomes home; she makes a best friend, Maria, and begins to dream of becoming a writer when she gets her first composition notebook and then discovers she has a talent for telling stories. Her mother cautions her not to write about her family, but, happily, many years later she has—and the result is both elegant and eloquent, a haunting book about memory that is itself altogether memorable. Copyright 2014 Booklist Reviews.

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