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Fever dream : a novel
2017
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"A young woman named Amanda lies dying in a rural hospital clinic. A boy named David sits beside her. She's not his mother. He's not her child. Together, they tell a haunting story of broken souls, toxins, and the power and desperation of family. Fever Dream is a nightmare come to life, a ghost story for the real world, a love story and a cautionary tale. One of the freshest new voices to come out of the Spanish language and translated into English for the first time, Samanta Schweblin creates an aura ofstrange psychological menace and otherworldly reality in this absorbing, unsettling, taut novel"-- - (Baker & Taylor)

A young woman named Amanda, dying in a rural hospital clinic, and a boy named David tell a fevered tale of menace and family bonds. - (Baker & Taylor)

A first English translation by an award-winning Spanish author follows the nightmarish experiences of a dying woman and a boy beside her hospital bed, who explore the dynamics of broken souls, toxic relationships and the power and desperation of family. - (Baker & Taylor)

"Genius." —Jia Tolentino, The New Yorker

"Samanta Schweblin’s electric story reads like a Fever Dream." —Vanity Fair

Shortlisted for the Man Booker International Prize!

Experience the blazing, surreal sensation of a fever dream...

A young woman named Amanda lies dying in a rural hospital clinic. A boy named David sits beside her. She’s not his mother. He's not her child. Together, they tell a haunting story of broken souls, toxins, and the power and desperation of family.      
 
Fever Dream is a nightmare come to life, a ghost story for the real world, a love story and a cautionary tale. One of the freshest new voices to come out of the Spanish language and translated into English for the first time, Samanta Schweblin creates an aura of strange psychological menace and otherworldly reality in this absorbing, unsettling, taut novel. - (Penguin Putnam)

Author Biography

Samanta Schweblin was chosen as one of the 22 best writers in Spanish under the age of 35 by Granta. She is the author of three story collections that have won numerous awards, including the prestigious Juan Rulfo Story Prize, and been translated into 20 languages. Fever Dream is her first novel and is longlisted for the Man Booker International Prize. Originally from Buenos Aires, she lives in Berlin.

Megan McDowell has translated books by many contemporary South American and Spanish authors, and her translations have been published in The New Yorker, Harper's, The Paris Review, McSweeney's, Words Without Borders, and Vice, among other publications. She lives in Chile. - (Penguin Putnam)

First Chapter or Excerpt

Fever Dream

A Novel


By Samanta Schweblin, Megan McDowell

Penguin Publishing Group

Copyright © 2017 Samanta Schweblin
All rights reserved.
ISBN: 978-0-399-18459-8


They’re like worms.

What kind of worms?

Like worms, all over.

It’s the boy who’s talking, murmuring into my ear.

I am the one asking questions.

Worms in the body?

Yes, in the body.

Earthworms?

No, another kind of worms.

It’s dark and I can’t see. The sheets are rough, they bunch up under my body. I can’t move, but I’m talking.

It’s the worms. You have to be patient and wait. And while we wait, we have to find the exact moment when the worms come into being.

Why?

Because it’s important, it’s very important for us all.

I try to nod, but my body doesn’t respond.

What else is happening in the yard outside the house? Am I in the yard?

No, you’re not, but Carla, your mother, is. I met her a few days ago, when we first got to the vacation house.

What is Carla doing?

She finishes her coffee and leaves the mug in the grass, next to her lounge chair.

What else?

She gets up and walks away. She’s forgetting her sandals, which are a few feet away on the pool steps, but I don’t say anything.

Why not?

Because I want to wait and see what she does.

And what does she do?

She slings her purse over her shoulder and walks toward the car in her gold bikini. There’s something like mutual fascination between us, and also at times, brief moments of repulsion; I can feel them in very specific situations. Are you sure these kinds of comments are necessary? Do we have time for this?

Your observations are very important. Why are you in the yard?

Because we’ve just gotten back from the lake, and your mother doesn’t want to come into my house.

She wants to save you any trouble.

What kind of trouble? I have to go inside anyway, first for some iced tea with lemon, then for the sunscreen. That doesn’t seem like she’s saving me any trouble.

Why did you go to the lake?

She wanted me to teach her how to drive, she said she’d always wanted to learn. But once we were at the lake, neither of us had the patience for it.

What is she doing now, in the yard?

She opens the door of my car, gets into the driver’sseat, and digs around in her purse for a while. I swing my legs down off the lounge chair and wait. It’s so hot. Then Carla gets tired of rummaging around, and she grips the steering wheel with both hands. She stays like that for a moment, looking toward the gate, or maybe toward her own house, far beyond the gate.

What else? Why are you quiet?

It’s just, I’m stuck. I can see the story perfectly, but sometimes it’s hard to move forward. Is it becauseof the nurses’ injections?

No.

But I’m going to die in a few hours. That’s going tohappen, isn’t it? It’s strange how calm I am. Because even though you haven’t told me, I know. And still, it’s an impossible thing to tell yourself.

None of this is important. We’re wasting time.

But it’s true, right? That I’m going to die.

What else is happening in the yard?

(Continues...)

Excerpted from Fever Dream by Samanta Schweblin, Megan McDowell. Copyright © 2017 Samanta Schweblin. Excerpted by permission of Penguin Publishing Group.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.

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Trade Reviews

Booklist Reviews

Schweblin's first novel tells a frenetic, unnerving tale. A young mother, Amanda, is afflicted by a sudden illness and accepts that death is imminent. As she waits in her hospital bed, she hears the hovering voice of a young boy, David, who guides her as she recounts the events leading to her current dire situation. After arriving at a rural vacation home with her daughter, Nina, Amanda strikes up a friendship with their alluring neighbor, Carla, a local who is revealed to be David's mother. Carla shares with Amanda an unusual story about her son and her efforts to save him after he was poisoned. Amanda, at first dubious, becomes increasingly troubled by both mother and son and makes plans to cut their vacation short and return home. But things go awry when Amanda decides to bid Carla farewell. Schweblin's sparse narrative, both familiar and mysterious, quickly grows in intensity as the hazy whispers of self-doubt and death itself descend. A thought-provoking story that provides ample opportunity for readers to grapple with its unanswered questions. Copyright 2016 Booklist Reviews.

Library Journal Reviews

Buenos Aires-born and Berlin-based, Schweblin has won multiple awards for her story collections and been published in anthologies and magazines worldwide. Her debut novel—also her first work to be translated into English—relates the story of a community doubly poisoned by toxic waste and invidious relationships.

[Page 62]. (c) Copyright 2016 Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

Library Journal Reviews

For those who believe that, as Franz Kafka famously said, "a book must be the axe for the frozen sea within us," Schweblin's surreal debut novel will be a breath of fresh air. The Buenos Aires-born, Berlin-based Schweblin was named one of Granta's best writers in Spanish under the age of 35 and has already published three short story collections. This novel is told in conversational fragments between two unseen narrators. One is asking questions, trying to get the other to determine the exact moment she was contaminated. The events they recollect concern Amanda and her daughter, Nina, on holiday in the country, where Amanda first learns from her friend Carla of a mysterious poison that affected Carla's son, David, and the family's horses. The hallucinatory flow of the dialog moves the story along quickly, and readers may have to turn back to find a missing puzzle piece. Those who are willing to stay with this book will find the experience like no other and well worth the effort. VERDICT Readers of Samuel Beckett, Jorge Luis Borges, García Márquez, and other magical realism practitioners will devour this brilliant, unsettling novel. [See Prepub Alert, 7/11/16.]—Kate Gray, Boston P.L., MA

Copyright 2017 Library Journal.

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