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Aristotle and Dante discover the secrets of the universe
2014
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Fifteen-year-old Ari Mendoza is an angry loner with a brother in prison, but when he meets Dante and they become friends, Ari starts to ask questions about himself, his parents, and his family that he has never asked before. - (Baker & Taylor)

Now a major motion picture starring Max Pelayo, Reese Gonzales, and Eva Longoria!
A Time Best YA Book of All Time (2021)

This Printz Honor Book is a “tender, honest exploration of identity” (Publishers Weekly) that distills lyrical truths about family and friendship.

Aristotle is an angry teen with a brother in prison. Dante is a know-it-all who has an unusual way of looking at the world. When the two meet at the swimming pool, they seem to have nothing in common. But as the loners start spending time together, they discover that they share a special friendship—the kind that changes lives and lasts a lifetime. And it is through this friendship that Ari and Dante will learn the most important truths about themselves and the kind of people they want to be. - (Simon and Schuster)

Author Biography

Benjamin Alire Sáenz is an author of poetry and prose for adults and teens. He was the first Hispanic winner of the PEN/Faulkner Award and a recipient of the American Book Award for his books for adults. He is the author of Aristotle and Dante Discover the Secrets of the Universe, which was a Printz Honor Book, the Stonewall Award winner, the Pura Belpré Award winner, the Lambda Literary Award winner, and a finalist for the Amelia Elizabeth Walden Award, and its sequel, Aristotle and Dante Dive into the Waters of the World. His first novel for teens, Sammy and Juliana in Hollywood, was an ALA Top Ten Book for Young Adults and a finalist for the Los Angeles Times Book Prize. His second book for teens, He Forgot to Say Goodbye, won the Tomás Rivera Mexican American Children’s Book Award, the Southwest Book Award, and was named a New York Public Library Book for the Teen Age. He lives in El Paso, Texas. - (Simon and Schuster)

First Chapter or Excerpt

One

ONE SUMMER NIGHT I FELL ASLEEP, HOPING THE WORLD would be different when I woke. In the morning, when I opened my eyes, the world was the same. I threw off the sheets and lay there as the heat poured in through my open window.

My hand reached for the dial on the radio. “Alone” was playing. Crap, “Alone,” a song by a group called Heart. Not my favorite song. Not my favorite group. Not my favorite topic. “You don’t know how long . . .”

I was fifteen.

I was bored.

I was miserable.

As far as I was concerned, the sun could have melted the blue right off the sky. Then the sky could be as miserable as I was.

The DJ was saying annoying, obvious things like, “It’s summer! It’s hot out there!” And then he put on that retro Lone Ranger tune, something he liked to play every morning because he thought it was a hip way to wake up the world. “Hi-yo, Silver!” Who hired this guy? He was killing me. I think that as we listened to the William Tell Overture, we were supposed to be imagining the Lone Ranger and Tonto riding their horses through the desert. Maybe someone should have told that guy that we all weren’t ten-year-olds anymore. “Hi-yo, Silver!” Crap. The DJ’s voice was on the airwaves again: “Wake up, El Paso! It’s Monday, June fifteenth, 1987! 1987! Can you believe it? And a big ‘Happy Birthday’ goes out to Waylon Jennings, who’s fifty years old today!” Waylon Jennings? This was a rock station, dammit! But then he said something that hinted at the fact that he might have a brain. He told the story about how Waylon Jennings had survived the 1959 plane crash that killed Buddy Holly and Richie Valens. On that note, he put on the remake of “La Bamba” by Los Lobos.

“La Bamba.” I could cope with that.

I tapped my bare feet on the wood floor. As I nodded my head to the beat, I started wondering what had gone through Richie Valens’s head before the plane crashed into the unforgiving ground. Hey, Buddy! The music’s over.

For the music to be over so soon. For the music to be over when it had just begun. That was really sad.

© 2012 Benjamin Alire SÁenz

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Trade Reviews

Booklist Reviews

When Aristotle and Dante meet, in the summer of 1987, they are 15-year-olds existing in "the universe between boys and men." The two are opposites in most ways: Dante is sure of his place in the world, while Ari feels he may never know who he is or what he wants. But both are thoughtful about their feelings and interactions with others, and this title is primarily focused on the back-and-forth in their relationship over the course of a year. Family issues take center stage, as well as issues of Mexican identity, but the heart of the novel is Dante's openness about his homosexuality and Ari's suppression of his. Sáenz (Sammy and Juliana in Hollywood, 2004) writes toward the end of the novel that "to be careful with people and words was a rare and beautiful thing." And that's exactly what Sáenz does—he treats his characters carefully, giving them space and time to find their place in the world, and to find each other. This moves at a slower pace than many YA novels, but patient readers, and those struggling with their own sexuality, may find it to be a thought-provoking read. Copyright 2012 Booklist Reviews.

Library Journal Reviews

Bored and angry in the summer of 1987, 15-year-old Ari heads to the pool even though he cannot swim. Dante, a boy his same age, offers to teach him, beginning a friendship that will leave them wholly changed. Both are Mexican Americans, and there the similarity ends. Where Dante is an only child, open and loving with his intellectual family, Ari (short for Aristotle) is closed, brooding over the secret of a brother in prison. When Dante comes out to his friend, and confesses that his feelings for him might be more than Platonic (pun intended), Ari stays loyal despite his uncertainty, because for him, a world with Dante is much better than one without him. Together they attempt to unravel the secrets of the universe, and of their own families. Sáenz' gifts for lyric prose and pitch-perfect dialog communicate the inner workings of a complex, loving, narrator, on the verge of discovering the truth of his own body in a book that is as beautiful as the desert sky on the outskirts of the boy's native El Paso. — "35 Going on 13" LJ Reviews 6/21/12 (c) Copyright 2011. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted. Word on the Street Lit, 6/21

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