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That we may live : spectaculative Chinese fiction.
2020
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"An approachable introduction to contemporary speculative fiction from China and Hong Kong that touches on issues of urbanization, sexuality, and propaganda"-- - (Baker & Taylor)

“This remarkable anthology of Chinese speculative fiction offers seven tales of societal responsibility and individual freedom. . . . By turns cryptic and revealing, phantasmagorical and straightforward, these tales balance reality and fantasy on the edge of a knife.”—Publishers Weekly, starred review

A woman impulsively decides to visit her grandmother in a scene reminiscent of "Little Red Riding Hood," only to find herself in a town of women obsessed with a mysterious fermented beverage. An aging and well-respected female newscaster at a provincial TV station finds herself caught up in an illicit affair with her boss, who insists that she recite the news while they have sex. An anonymous city prone to vanishing storefronts begins to plant giant mushrooms for its citizens to live in, with disastrous consequences.

In this first book in the brand-new Calico Series, we bring you work by some of today’s most exciting writers from China and Hong Kong, including Dorothy Tse (tr. Natascha Bruce), Zhu Hui (tr. Michael Day), and Enoch Tam (tr. Jeremy Tiang). Lightly touching on issues of urbanization, sexuality, and propaganda, the collection builds a world both utterly disorienting and disturbing familiar, prompting the question: Where does reality end and absurdity begin in a world pushed to its very limits?

The Calico series, published biannually by Two Lines Press, captures vanguard works of translated literature in stylish, collectible editions. Each Calico is a vibrant snapshot that explores one aspect of our present moment, offering the voices of previously inaccessible, highly innovative writers from around the world today. That We May Live is the first book in the series.

- (Perseus Publishing)

The first book in the new Calico series from Two Lines Press, THAT WE MAY LIVE represents the vanguard of speculative fiction being published in China today with seven stories that are utterly disorienting yet disturbingly familiar

- (Perseus Publishing)

First Chapter or Excerpt

From "Sour Meat" by Dorothy Tse, translated by Natascha Bruce

Every so often, she would bring her thermos with her to the park, or to the roof of her office building, but mostly she drank alone in her bedroom. That way, she could lie back on her bed afterward, enjoying the sensation of her body slipping into its altered state. Sometimes she felt like the tea had turned her into a different lifeform, without any bones, a soft sea creature with slippery, permanently moist skin. Sometimes she felt transformed into the ocean itself, like she was a flowing liquid without any defined shape. Sometimes she felt like an oil slick, like all she needed was a tiny spark and she’d roar into flames.

She would take the glass bottle from the fridge and pour the tea into a tumbler, stopping when she had about as much as a shot of whiskey. Then she would go into her room and place the glass on her bedside cabinet, lean back against her headboard, and spread her legs, imitating the kind of wanton pose she’d seen in porn films. She greeted the drink with tiny sips. It was a rare luxury. She had to be restrained about it because her mother was always sneaking around to check on the bottles, monitoring the liquid levels inside them. F was aware of her mother’s activities because she did the same thing herself: if she looked in the fridge and saw there was slightly less tea than before, she knew that her mother had been chasing her own secret pleasure. Her mother experienced the same cravings as she did. The thought was both soothing and utterly terrifying.

But the woman on the platform didn’t seem concerned at all. After downing a few mouthfuls, she passed the thermos to the little girl on the floor, as though offering her a toy.

F grabbed her hand.

“Are you sure about giving her this kind of tea?”

“Tea?” The woman laughed but made no further comment, as though they’d reached an understanding.

“So you’ve tried this...stuff before, have you?” asked F.

“Of course! Everyone in our town knows about her and her special tea.”

The woman spoke in F’s mother’s dialect. F still couldn’t see her face, but she felt an intimacy spring up between them. As the woman talked on about her and the goings-on in the little town where she lived, F realized that the her couldn’t be anyone other than Grandma.

“I haven’t seen her in such a long time,” she lamented.

The woman suggested that F come with her to pay a visit.

“Her town’s not far from here. And if you catch the early train out tomorrow morning, you’ll still make it to wherever it is you’re headed.”

F shook her head. “Thank you for the thought, but...”

“It’s already so late!” insisted the woman. “Don’t tell me you have to work tonight?”

F hesitated. Her first meeting was fixed for the following afternoon; her only real reason for arriving a day early had been to spend an evening relaxing in the hotel, in preparation for the day to come. In which case, if she really wanted to see Grandma, wouldn’t this be the perfect opportunity?

“And would you look at that, the train—”

A knife-like screech inserted itself into the conversation, brutally severing the end of the woman’s sentence. Well, no, maybe the train wasn’t as hard and sharp as all that; it was more like a snake, darting out of a dream into the cave of the waking world. Its head was so enormous and all-encompassing that F felt a sudden desire for it to stick out its tongue and wrap her up in it, then pull her down into its belly. She had not known she harbored a desire to be prey before. It didn’t feel like she was picking up her bag and climbing onto the train; it felt like she was willingly, delightedly allowing the train to swallow her whole.

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Booklist Reviews

*Starred Review* With enthralling and precise language, this first book in Two Lines Press' Calico series of collected translated literature impresses. In "Sour Meat," a loose rendition of "Little Red Riding Hood," an office worker impulsively decides to visit her grandmother, driven by faded memories and the gentle insistence of a stranger. The smell of her grandmother's homemade tea leads her to a town where strange women brew the mysterious beverage, and she learns what makes it so nauseatingly enticing. In "Auntie Han's Modern Life," Miss Han owns a clothing shop in the bustling District E. As time passes, Miss Han becomes Auntie Han, and she sees her neighborhood change from an energetic town to a lifeless plot of land threatened by urbanization. In "Lip Service," Hanyi is an anchorwoman known for her exceptional beauty and voice. For 12 years, she's confidently delivered the news twice a day and worked "overtime," engaging in an illicit affair with her boss. However, as younger newscasters appear, she begins to fear for her job security and takes measures to ensure she never needs to fear again. This collection of speculative Chinese fiction is compelling and provocative, exploring the thin line between reality and absurdity. Copyright 2020 Booklist Reviews.

Table of Contents

Sour Meat
9(28)
Dorothy Tse
Natascha Bruce
Auntie Han's Modern Life
37(12)
Enoch Tam
Jeremy Tiang
Lip Service
49(34)
Zhu Hui
Michael Day
The Elephant
83(10)
Chan Chi Wa
Audrey Heijns
The Mushroom Houses Proliferated in District M
93(8)
Enoch Tam
Jeremy Tiang
A Counterfeit Life
101(30)
Chen Si'an
Canaan Morse
Flourishing Beasts
131(32)
Yan Ge
Jeremy Tiang
Authors 163(2)
Translators 165

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