A divorced reporter in racially torn 1966 Baltimore triggers unanticipated consequences for vulnerable community members while investigating the murder of an African-American party girl. - (Baker & Taylor)

A divorced reporter in racially torn 1966 Baltimore triggers unanticipated consequences for vulnerable community members while investigating the murder of an African-American party girl. By the Edgar Award-winning author of Sunburn. (suspense). Simultaneous. - (Baker & Taylor)

SOON TO BE A SERIES FROM APPLE TV!

A New York Times Bestseller

The revered New York Times bestselling author returns with a novel set in 1960s Baltimore that combines modern psychological insights with elements of classic noir, about a middle-aged housewife turned aspiring reporter who pursues the murder of a forgotten young woman. 

In 1966, Baltimore is a city of secrets that everyone seems to know—everyone, that is, except Madeline “Maddie” Schwartz. Last year, she was a happy, even pampered housewife. This year, she’s bolted from her marriage of almost twenty years, determined to make good on her youthful ambitions to live a passionate, meaningful life.

Maddie wants to matter, to leave her mark on a swiftly changing world. Drawing on her own secrets, she helps Baltimore police find a murdered girl—assistance that leads to a job at the city’s afternoon newspaper, the Star. Working at the newspaper offers Maddie the opportunity to make her name, and she has found just the story to do it: Cleo Sherwood, a missing woman whose body was discovered in the fountain of a city park lake.

If Cleo were white, every reporter in Baltimore would be clamoring to tell her story. Instead, her mysterious death receives only cursory mention in the daily newspapers, and no one cares when Maddie starts poking around in a young Black woman's life—except for Cleo's ghost, who is determined to keep her secrets and her dignity. Cleo scolds the ambitious Maddie: You're interested in my death, not my life. They're not the same thing.

Maddie’s investigation brings her into contact with people that used to be on the periphery of her life—a jewelry store clerk, a waitress, a rising star on the Baltimore Orioles, a patrol cop, a hardened female reporter, a lonely man in a movie theater. But for all her ambition and drive, Maddie often fails to see the people right in front of her. Her inability to look beyond her own needs will lead to tragedy and turmoil for all sorts of people—including Ferdie, the man who shares her bed, a police officer who is risking far more than Maddie can understand.

In 1966, Baltimore is a city of secrets that everyone seems to know—everyone, that is, except Madeline “Maddie” Schwartz. Last year, she was a happy, even pampered housewife. This year, she’s bolted from her marriage, determined to leave her mark on a swiftly changing world. Working at the Star newspaper offers Maddie the opportunity to make her name, and she has found just the story to do it: a missing woman whose body was discovered in a city park lake.

Cleo Sherwood was a young black woman who liked to have a good time. No one seems to care why she was killed except Maddie—and the dead woman herself. Maddie’s going to find the truth about Cleo’s life and death—even if Cleo’s ghost wants her to stop her investigation before she goes too deep .?.?.

Booklist Reviews

*Starred Review* Laura Lippman and Thomas Perry have something in common. As good as their crime series are, they both show the full range of their talents more completely in their stand-alones, as Lippman demonstrates in this riveting historical thriller set in Baltimore in the 1960s. In A Doll's House fashion, Madeline Maddie Schwartz walks away from a seemingly happy marriage to carve a life for herself, landing a clerical job at a Baltimore newspaper and setting the goal of becoming a reporter. It happens, but slowly and not without causing significant injury to the lives of others in her wake. Maddie becomes obsessed with the story of Cleo Sherwood, an African American cocktail waitress whose body is found in the lake of a city park. As she jumps between Cleo's life before her body is discovered and Maddie's attempt to solve the crime (in which her paper has little interest), Lippman does some innovative things with narrative: not only does the ghost of Cleo speak directly to the reader, excoriating the reporter for digging into the past that Cleo wants left undisturbed, but we also hear from a Greek chorus–like assembly of voices, some fictional, some historical (including former Baltimore Oriole Paul Blair and Violet Wilson Whyte, the first black person to be appointed to the city's police force), who add texture to the portrayal of the city's racial politics. In the middle of all that is Maddie, a significantly flawed—especially in her relationship with her black lover, a Baltimore cop—but always compelling figure, an utterly human mix of compassion and self-centered ambition. This is a superb character study, a terrific newspaper novel, and a fascinating look at urban life and racial discrimination in the '60s.HIGH-DEMAND BACKSTORY: Lippman's critical acclaim and sales figures continue to climb, and this genre-crossing thriller will extend her reach still further. Copyright 2019 Booklist Reviews.

Library Journal Reviews

Two murders in mid-1960s Baltimore change the life of 37-year-old housewife Madeline Morgenstern Schwartz. Maddie has already decided to leave her husband, Milton, when she's turned away from a search group of Jewish men looking for missing 11-year-old Tessie Fine. On impulse, she heads to the arboretum where she used to park with dates and spots Tessie's body. Her subsequent interview by a newspaper columnist sparks her interest in reporting, and her persistence gets her hired as assistant to the paper's helpline column writer. When she responds to a question about why lights are out in a park, police find the body of long-missing Cleo Sherwood, an African American woman, in the fountain. Maddie may be untrained and inexperienced, but she's ambitious and persistent, writing to the suspect in Tessie's murder and searching for hints to Cleo's. First-person accounts by persons who interact with Maddie—including Cleo's, in italics—add texture and insight to what Lippman describes as "a newspaper novel." VERDICT While short of the adrenaline-fueled suspense of other Lippman stand-alones (Sunburn), this work captures a time and place as it mixes fact with its fiction, plus a protagonist who challenges norms. With its well-drawn characters and lucid prose, this newspaper novel shines. [See Prepub Alert, 1/23/19.]—Michele Leber, Arlington, VA